A Peek at the Pen Cup: The “I Am So Normal” Edition

pen cup with fountain pens

Oh yeah, look at this pen cup. I only have five fountain pens going, and it’s good.

Nothing intentional: I haven’t been using the pens much lately. That’s because my recent work has been mostly on the computer, and I am not good at writing letters, so lately I’ve been cleaning out pens and putting them away.

I have to say, with five pens, I feel so normal.

The most recently inked is my Pelikan M605 White Transparent, because the temperature is nicely frosty here, and this pen feels wintery. It’s inked with Papier Plume Bayou Nightfall, an absolutely wonderful ink in my opinion. Pen and ink make a perfect pair, and I keep coming back to ths combination. This makes me wish I had something to write.

All my other pens have been inked up for a while. But I managed to put together a suitably Christmassy trio.

pelikan lamy fountain pens

Such a happy sight. Malibu Barbie Christmas.

The green pen is my Pelikan M205 Olivine, filled with Pelikan Edelstein Olivine — another great combination. I do have to clean this one out, because it’s been inked since I got it.

The pink pen is my Lamy Al-Star Vibrant Pink. It’s still loaded with a cartridge of Lamy Blue, mainly to keep cleaning out the feed after my Vibrant Pink ink disaster. But Lamy Blue is actually a very nice ink with this pen’s extra-fine nib, and I always like a blue ink, so this is a good combination, too.

The two pens that have been inked and re-inked the longest are what have turned into my core users. One is my long-serving Lamy Safari Charcoal with fine nib and black ink (currently Taccia Kuro). The other is a pen I bought this year and haven’t taken out of rotation since: a Sailor Professional Gear Earth with extra-fine nib, inked with Papier Plume Da Blue ink. I use these two all the time, the Safari because I can take it anywhere without worry, and the Sailor because its amazing extra-fine nib writes tiny scribbles with perfect smoothness.

I’ve actually been very busy, but it just doesn’t involve much writing with pens and ink. And frankly that’s been kind of … restful. Fountain pens and inks aren’t a job for me, just things that add a dash of delight and interest to the everyday. And that’s enough. So if pens and inks aren’t centered in my life, right now, that works. My pens and inks are easy-going; they will wait their turn.

I guess I’m using them when I can. In fact, I had to move this out of the way to take the pen cup photo.

field notes lamy safari cookbook

I was using the Safari to take notes there, because I’ve finally found the time to get into something that I’ve always wanted to do: serious bread-making. (Because people always ask: not with a bread machine, but just flour, yeast, water and salt, worked by hand and set on the counter to rise over the course of the day before being shaped by hand, and then popped onto an improvised hearth in the oven.)

So I’ve been up to my elbows in different kinds of flour, and experiments with different pre-ferments. (This cuts down on my texting a lot, too.) But I am trying to refine my technique, which means I’ve been making a lot of loaves of a basic hearth bread, tweaking a few things here or there, learning inputs and outputs, and writing them down. It’s very absorbing for me, and it’s really delicious. Also I’ve become more popular with the family. Winter’s a good time to heat up the kitchen and make food for people.

Today I’ve been hovering over my brand new sourdough starter like it’s a new baby, searching for life and activity. I should know better, though. If it’s really like a baby, that sourdough won’t start bubbling and fussing until I try to take a shower, or start a movie, or go out to dinner. And as it grows, it’s going to do the opposite of what I want. As it should! So, grow big, little sourdough, and grow free, and grow as and how you will. In the meantime, I’ll just leave this here: I’m going to go walk the dog now, then I’m going to start a movie….

Happy December!

kindness_calendarsmall

Happy December! I’ve now caught you in the web of my latest project: December, the Month of Intentional Kindness. I found this December Kindness Calendar the other day, and we’ve made it my family’s holiday project this year. Today is December 1, and our calendared task is to “share this calendar.” Done! (I foolishly showed it to the family last month, so I had to find someone else.)

Careful viewers might notice that this calendar is made for 2017. That’s okay. We will have to ignore the “what day of the week is it?” part of the calendar, as well as the “what year is it?” part of the calendar. So, yes, technically that makes it not, you know, actually a calendar. But that’s okay. Even, perhaps, great! Being late is “on-brand” for the Follies. Also, we aren’t comfortable with arbitrary authority, and we like to follow our own muse.

And that’s exactly the kind of freedom we enjoy, employing the 2017 Kindness Calendar in 2018. We can easily skip over the unsuitable (even unkind) “cook an extra meal and surprise someone with it” task, and instead double-up on a better task that’s nearby. I vote for a second whack at the comparatively delightful “try out the art of positive gossiping.” I cannot wait for that one!!!! How thrilling to have to do it twice.

The calendar comes from an internet outfit called “Action for Happiness,” which yeah, I know. My teenage daughter and I both think it sounds dodgy. Is it a front for the Church of Scientology, or an arm of the Russian SVR, or some sort of Google ad-marketing spider web? Probably! But also, so what! I am an American. We are used to emotional manipulation by commercial interests. It’s kind of our thing!

And it doesn’t even matter who’s behind the Kindness Calendar. Suggesting that people be “loving, compassionate and true” is a good thought for the holiday season. I shall take this webpage at its word. I shall view them with compassion, and be positive. That is kind, and it makes me happy. It’s the first Kindness Calendar win, right there, at the beginning.

And okay, I’m a sentimental sop, and I love Christmas and the winter holiday season. But I think we all know that it’s terribly hard for some people, even for those who love it. So it’s a nice thing to remind our family to be kinder to others, and also to each other.

I’m extra susceptible to this because the Kindness Calendar reminds me of advent calendars. Do you know those things? When I was a kid, we always had an advent calendar, a flat cardboard thingy with 31 little numbered cut-out windows or doors, one to open for each day of December. We used ours as a countdown to Christmas, with the kids taking turns opening each day and discovering whatever secret was behind the door.

When I was really young, we had the standard advent calendar: behind each window was a small picture, a religious scene, taken from a work of the Old Masters. I wonder if it’s a coincidence that I grew up to study art history, and my brother grew up to be a minister. Scary the effect of early influences.

But I learned to read in first grade, and I was precocious, and also, I’m told, impossible. I was all of seven when I discovered books, 70s rock, cynicism, and where our mother hid the Christmas presents before wrapping them. I was over advent calendars before I could pull on my own tights. But my younger siblings were sweet, and more sheltered, and okay, maybe kind of dumb bunnies, so our mother kept them interested in advent calendars for many years. Sure the calendar got more kid-centric. Our mother stayed with the “discover the picture behind each window” structure, but she let the youngest kid pick whatever they liked, which kept them interested, and led to years of colorful Santa themes and such.

But at some point even my innocent siblings must have cottoned to the essential truth of advent calendars: it’s just a con job. Who cares what corny illustration sits behind each day’s window?

And once they figured it out, my siblings lost interest, too. Windows wouldn’t be opened for days in a row, until our mother noticed and they had to do a batch at a time. But it didn’t have the same savor. Juvenile intransigence and boredom had gained the upper hand. The kids were ruining our mother’s storybook Christmas.

She, however, had a superior intellect, a strategic bent and a disinclination to ever surrender. Their unexpected indifference led to her last and greatest countermove. The next year she hung up a heretofore unknown type of advent calendar, a “European chocolate behind every door” advent calendar.

It was a checkmate for the ages, a masterstroke. She was the Napoleon of Christmas.

No kid ever forgot to open those chocolate advent calendars, let me tell you. In fact, I think someone came over in early December one year and secretly removed a chocolate meant for the end of the month, carefully camouflaging the incursion so it wouldn’t be discovered until too late. Yes, it was me. I wasn’t a kid and I didn’t even live there. But I was still a worthy combatant, the more so because they’d made the basic strategic error of forgetting I was out there.

With my own kids, we put advent calendars up for a few years, just out of habit, until they also lost interest, and the price jacked up, and I happily let that tradition go. For the Follies family, the advent calendar lives on only in the mental lumber room of Christmases past, along with our Dancing Santa, cartons of eggnog, and the bells on the dog collar thing.

I still love Christmas, though. It’s just that we have our own Christmas traditions. It is absolutely required that someone sing along with “All I Want for Christmas is You” whenever it comes on in the car; and I always try to lure the rest of the family to watch A Christmas Story with me, to no avail; while they all willingly, even eagerly, watch Diehard with my husband, whenever it’s on. As I periodically yell, “Not a Christmas movie!” from the other room.

Luckily our family will be together, and our friends and extended family are all reasonably healthy this year, and the Christmas message is always lovely and appreciated here. The tradition of Swedish Christmas Eve will carry forward, even though some of us are now vegetarian, and the others claim to hate the Swedish food,. It will carry forward because in the eternal war over Christmas waged inside each family, this is the hill I choose to die on. Indeed, I probably will die on that hill, one way or another, killed either by the food or by the rest of the family. Unfortunately, we have to celebrate without my mother now, who died a few years ago, right before Christmas. I mean, on the bright side, for her, she was no doubt happy she got to skip the Swedish food that year.

I know she’d roll her eyes or wrinkle her nose at me making this kindness calendar a sort of advent calendar for our family. For my mother Christmas was trees, and wreaths, nutcrackers, ribbons and bows, cookies, and inventive, beautiful presents. So she wouldn’t understand. She might even think, just a little, that it’s a rejection of her values. But that would be entirely wrong. I think most of us probably don’t see ourselves very clearly. No matter what she thought she liked about Christmas, my mother was the essence of kindness, and she was, every day, every single thing that the calendar suggests.

I didn’t pick up her love for the Christmas decorations and knickknacks and such. But I did learn that the holiday season is for others. I suspect it may be the one time of year when most of us are oriented to give, rather than receive, and the time when that seems most natural, and right. That’s a huge part of what I love about Christmas.

So we’re going to have a kindness advent calendar this year. Cheers, mom. It’s totally your fault.

My 2018 Ohio Pen Show Haul

Ohio Pen Show 2018 Purchases

I know I’m late with this. But I’m always late. It’s the Follies.

And are we going to let being late deter us? No! As Bluto Blutarsky, our Churchill, says, “Nothing is over until we decide it is!”

So here’s my “Here’s my Haul!” report. And, because it’s almost Thanksgiving we’re going to garland the pen talk with holiday trimmings. We’re stuffing ourselves. I do love a theme.

(click Page 2 below to continue)

Adventures in Fountain Pen Repair and Restoration: Esterbrooks

Esterbrook J pens

Apologies for the lack of blogging, but since the Ohio Pen Show I’ve been extra busy with work — and the type of work that didn’t involve writing with pens.

But I have been working with vintage pens, a bit, because of my involvement with the Chicago Pen Show. Different vintage pens than usual. We all know that many vintage pens are rare, and many are gorgeous, and I love looking at those vintage pens. But that slice of the vintage market gets expensive. The pens I’ve been working with this month are mostly from the other end of the scale — they are vintage pens that are reasonably priced, and easy to find and get working again. Like Esterbrooks.

(click Page 2 below to continue)

A Literary Crawl Through the World of Nakaya Fountain Pens

Nakaya Decapod Shiro Tamenuri

A Tale of Three Nakayas.

It was the best of times. It was the worst of times. It was the end of the summer. It was the beginning of fall. It was when I had the chance to use three Nakayas.

Nakaya Number One was a devastatingly attractive Decapod I got at DC, almost on a lark. It had only one issue: the nib. Yes, the nib was wonderful, but it was a very crisp oblique italic, so it was wonderful for someone who wasn’t me.

I sold it at San Francisco to an awesome person with artistic talent and great handwriting. It was meant for him. And I felt good about seeing it go to him. But I did love that pen. So I felt a twinge of … self-sacrifice, maybe? However, I knew that “It is a far, far better thing I do than I have ever done before.”

Then Nakayas Number Two and Three arrived, bringing us to …

(click Page 2 below to continue)

The 2019 Lamy Safari is Announced, and I Just Cannot Even

IMG_0122

My Lamy Safari-hating friend just sent me this, which, courtesy of the nice folks at Goulet Pens, is apparently what Lamy has cooked up for the 2019 Safari special edition.

😱

It’s taken me a few hours to figure out a nice way of conveying my reaction more subtly than just using “Munch’s The Scream” emoji, above.

If you know the television show The Good Place, you will understand my first reaction to this photo, which was a quote from the show: “Holy mother forking shirtballs.”

It’s fair to say that the Pastels are not my bag. I don’t really like the look, with that pen, because the color scheme doesn’t fit with the design, in my view. But that’s fine. Maybe they are better in person, and at least they are different, and not black. But my disappointment is more general. I’ve been a Lamy Safari fan since the first year of the Safari. And it’s as a fan that I say this, sadly: the annual editions have been more lackluster than not, for a while now.

This is just the capper. It seems like two out of three years I’ve been wondering the same thing: Is this where I stop, and give up collecting Safaris?

There was the tossed-off Neon Trio. Then the “Dark Materials” Trio of Dark Lilac, Petrol and All-Black, an obvious attempt to extend the market with Safaris for those who hate Safaris. Now comes the Pastel trio. I don’t know precisely which group the Pastel is meant to appeal to, but I’d bet that the genesis of those colors is a market study.

And then, not even one Pastel, but three at once. Why limit your bottom-line by putting out only one annual edition, when you can potentially triple revenues by putting out three? Which of course is reversed for consumers, as Slightly Unnerved, in the comment below, politely brings up.

That issue is much worse for those of us in the US, where a Safari, without converter, retails at just under $30 each.

I don’t know if there’s been new ownership or management at Lamy, and that’s what’s behind this — but I suspect so. But it does seem rather obvious that the annual Safari, and probably the Safari as a whole, is now seen as a cash cow. I think that’s understandable from a business perspective. I would never tell a business not to maximize profit. It’s just not the same, from the fan perspective.

The Safari used to be a quirky pen that a few of us loved. And you had to actually love it, to withstand the slings and arrows, because the fountain pen world was full of people who loved to put the Safari down. The Safari appealed to a very small subset of adults — those who liked contemporary design and fountain pens. And I think the Safari reflected what the Lamy company was — a home for risky products, designed products, that didn’t appeal to everyone, but were well-built and well-priced. Modern design plus affordability plus quality.

The new Lamy is obviously different. And the new Lamy is certainly reflected in the last five to seven years of annual Safaris. That’s fine — and I don’t own the company. But, as a fan, I think they’ve essentially lost what made me a fan. Or not so much “lost” as “abandoned.” I think now whoever runs Lamy has pivoted to squeezing out as much profit as possible. Which on an intellectual level I understand. The Golden Goose, and all. I do I wish Lamy well, and hope they don’t end up killing that Golden Goose. But I think, however, that I’m not really a fan any more.