Why We Can’t Always Judge an Ink by Its Name, or Even Its Picture: A Tale of KWZ Confederation Brown

KWZ Confederation Brown Montblanc Racing Green swabs comparison

Someone asked me to compare KWZ Confederation Brown with Montblanc Racing Green, thinking the two inks might be similar.

As you can see, that’s a firm “no.”

KWZ Confederation Brown is the limited edition ink made for the 2017 Scriptus Pen Show in Toronto. Montblanc Racing Green was a regular Montblanc ink, but it was discontinued years ago and now trades at very high prices because it’s got a certain mystique.

I snapped a comparison shot of the two swabs and texted it to the friend who had asked about it. His reaction? Puzzlement. He said something like, “That’s weird: my Confederation Brown looks more green, and yours looks more brown.”

Was my ink faded or from a different batch than his? Was something wrong with my ink, or his? Because his looks greener than mine, supposedly.

No, not at all.

That’s a very common reaction. Let’s talk about why.

Our perception of a color is influenced by many factors, one of which is how the color we are looking at interacts with other colors. We perceive a color differently based on the colors nearby.

So in the top photo, Confederation Brown looks browner and less green.

But now look at this photo of Confederation Brown.

KWZ Confederation Brown Sheaffer Skrip Red swabs comparison

And this photo.

KWZ Confederation Brown Montblanc Seasons Greetings swabs comparison

In those two photos, Confederation Brown looks not brown, but green, albeit a yellow-brown-green sort of green.

Confederation Brown has not changed. The only change is the surrounding colors. That makes all the difference in one’s perception of the color of Confederation Brown. (Let me add that when you see Confederation Brown in isolation, it looks fairly green.)

It is highly unlikely — nearly impossible, I’d wager — that anyone’s bottle of KWZ Confederation Brown strays significantly from the standard. That’s because KWZ would have made this special edition ink in one batch. Also because KWZ takes pains to ensure KWZ inks are consistent, even from batch to batch. And it’s very recently made, not likely to have changed color in the bottle.

There’s another issue here: ink names.

So much goes into an ink name. Marketing appeal, the sound of the words, how the name translates into different languages and, of course, the need to describe the color. This ink would have been named by the organizers of Scriptus, the Toronto pen show. The Confederation part of the name refers to the creation of the Dominion of Canada. And the Brown part is for the color.

I think with this ink, reasonable people can differ whether it’s more brown, or more green. As I said, when I see Confederation Brown, it looks green to me — although a yellow-brown type of green. But I think either brown or green is perfectly fair. Also, I’m quite certain that if they had named it “Confederation Green,” some buyers would have felt it was too brown to be named green.

The truth is, there are infinite varieties of any color, be it blue, red, green or brown. That’s part of what makes fountain pen inks so interesting.

Here are the inks I have that I find closest to Confederation Brown in feel. One is more of a brown, one is more of a green.

KWZ Confederation Brown swabs comparison

Stipula Verde Muschiato happens to be one of my all-time favorite inks, and I love how golden it looks here. To me, the slightly browner one is is Verde Muschiato (named green) and the greener one is Confederation Brown (named brown). But they are both green-browns or brown-greens.

Here is Confederation Brown with one of my favorite KWZ greens.

KWZ Confederation Brown KWZ Iron Gall Green Gold swabs comparison

Despite me thinking Confederation Brown is pretty green, KWZ Iron Gall Green Gold is greener. Put another way, next to Iron Gall Green Gold, Confederation Brown surely looks brown. (As it does next to Montblanc Racing Green, in the first photo.) Another reason the Brown name makes sense.

In any case, whatever the name, these are all interesting colors, with many dimensions, and a lot to enjoy. Even a mere glimpse of the swabs shows how different these inks look on white versus cream paper. They also will vary depending on the pen used.

That malleability is a feature of many green-brown, or brown-green, inks. It’s one reason those colors are so interesting. And also why these inks tend to fool our eyes the most.

Inks Chris Bought in 2015

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I asked my friend Chris what inks she had purchased in 2015.  I was tickled, and relieved, that not only did she buy the same number of inks as I did, but she enjoyed some of the same brands. Here is her report.

I decided I had plenty of ink when 2015 began. Enough ink to last me another two lifetimes. I made a resolution that I wouldn’t buy more ink until I emptied at least one bottle. That resolution was never going to work. I’ve never completely emptied a bottle of ink in forty years, so why would I think I might do that now?

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Washable Black Ink?

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There are those who want their fountain pen inks to be permanent. Then there are those who don’t. I am the latter, since I never write anything important, but I do spill a lot.

Someone mentioned washable black ink to me, and I thought that Seitz-Kreuznach Panthers Black, Stipula Ebony Black and Montblanc Mystery Black would be washable. So let’s see.

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Fall Color Inks

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These sunny October days and cool nights have put me in the mood for my first fall ink colors.

To my new favorite orange, Caran d’Ache Electric Orange, I’m adding two longtime favorites. These are Stipula Verde Muschiato, a muddy green that I adore, and J. Herbin Ambre de Birmanie, which brings the warmth in a wider nib.

Two newer inks round out the selection: Diamine Carnival, which struck me as my most autumnal red, and Stipula Sepia, a warm brown ink.

All of the pens are old favorites: two Pelikans, two Lamys and a custom Edison.

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Pen of the Day: Omas Extra Lucens

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Omas Extra Lucens Limited Edition with extra-fine 18k nib. This gorgeous pen is black, gold and transparent celluloid.  Writing with an Omas is special, and a bit different.  The pen rests lightly in the hand, and the nib asks for only the most delicate touch, so you find yourself skimming over the paper as effortlessly as possible.

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The ink is Stipula Calamo Ebony Black, which is a lighter, slightly gray black ink with a hint of shading.  When I write with it, I think of the shades of Sumi-e, Japanese black ink painting.

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