Tag: Caroube de Chypre

I’ve been searching long and hard for how to bring out the most gold in J. Herbin 1670 Caroube de Chypre, and I think I’ve found it. But there’s going to be a “but” in there.

Caroube de Chypre is on the quieter side for inks with gold ink particles.  It is a gorgeous dark copper ink, but it doesn’t pop like J. Herbin’s previous 1670 ink, Emerald of Chivor.

That’s actually fine with me. I love the color and how it looks on the page. But what if you want more gold? Can you get it?

Yes! And, no.

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I have been enjoying the heck out of J. Herbin 1670 Caroube de Chypre, while I try to understand it.

I’m working this ink. I’ve found you need to coddle and coax any gold- or silver-infused ink, whether from J. Herbin or Diamine, for maximum shimmer.

Some steps are obvious: shake the bottle thoroughly before you fill a pen. Some are not so obvious: shake the pen before writing. And some steps go against my very nature: only use a wet pen, which means no Lamy Safari. Sob.

However, even with all that, Caroube de Chypre isn’t showing a huge amount of gold in my wet-writing Kaweco Sport. Not even with a 1.5 mm nib.

It’s a gorgeous color, though. And I’m happy with the lower-key shimmer: actually, it makes me think I’d use Caroube de Chypre more. But I still would like to figure out how much shimmer is possible from Caroube de Chypre.

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